Ferrara, City of the Renaissance, and its Po Delta
Ferrara, City Of The Renaissance, And Its Po Delta
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Cultural Italy Europe And North America City And Province Of Ferrara, Emilia-romagna Region

Ferrara is an outstanding planned Renaissance city which has retained its urban fabric virtually intact. The developments in town planning expressed in Ferrara were to have a profound influence on the development of urban design throughout the succeeding centuries. The brilliant Este court attracted a constellation of artists, poets and philosophers during the two seminal centuries of the Renaissance. The Po Delta is an outstanding planned cultural landscape which retains its original form to a remarkable extent.

Among the great Italian cities Ferrara is the only to have an original plan that is not derived from a Roman layout. It did not develop from a central area but rather on a linear axis, along the banks of the Po River, with longitudinal streets and many cross streets around which the medieval city was organized. The most significant characteristic of Ferrara's urban history rests on the fact that it developed from the 14th century onwards and, for the first time in Europe, on the basis of planning regulations that are in use nowadays in all modern towns. This type of development is known as addizione ;the third phase was implemented in 1492, making Ferrara the only planned Renaissance town to have been completed.

The street network and the enclosing walls are closely linked with the palaces, the churches, and the gardens. Throughout the 16th century the city was planned with the aim of making it a future 'capital'. Its evolution came to an end after the 17th century under papal administration, and the city did not undergo any extensions for almost three centuries. The city plan (1492) provided for doubling its area, an expansion limited to the south of the castle. This extension was completed by a new and very up-to-date defensive system made up of elements belonging to the various extensions carried out over several centuries (ramparts, keeps, semicircular towers, bastions, barbicans, etc.). These alterations completely changed the appearance of the city: new streets were created on a grid and buildings in a new style were built.

The most important monument surviving from the medieval period is the San Giorgio Cathedral dating back to the 12th century. The facade is a work of the master builder and sculptor Niccolo who, influenced by Benedetto Antelami, worked in the first half of the 12th century;the construction of the bell tower began in 1451 to a design attributed to Leon Battista Alberti. Standing in front of the cathedral, the 13th-century Palazzo Comunale was the first residence of the Este family and was joined in the late 15th century to the Castello di San Michele or Castello Estense. This massive, four-towered fortress was built in 1385 by the court architect Bartolomeo da Novara after a violent popular revolt. Works were carried out until 1570 with the creation of a noble residence with large halls to receive the court and embellished by frescoes and marble balconies and logge.

The Palazzo Schifanoia, built in 1385, was first remodelled in 1465-67 for Borso d'Este by the architect Piero Benvenuti degli Ordini assisted by the young Biagio Rossetti, who was responsible alone for the work in 1493. The palace has a long brick facade with a marble portal bearing the arms of the Commandery, the work of Ercole de' Roberti. It is, however, the decoration of the halls, and in particular of the Hall of the Months, which best illustrate the humanist culture of Ferrara.

The intersection of the streets coming from the castle (Corso Ercole I) and the main axis of Ercole 1a addizione (Corso Rossetti, Corso Porta Mare) linking two of the city gates is one of the most important elements in the 1492 city plan. This focal point, which links the modern and Renaissance city with the medieval, is underlined by four palaces: Palazzo Prosperi-Sacrati, Palazzo Bevilacqua, Palazzo Turchi-Di Bagno and Palazzo dei Diamanti. The construction of the Palazzo dei Diamanti began in 1492 for Sigismondo d'Este, but was not completed until 1565. The regular rustication over the entire height of the facades gives it a special appearance.

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